[…]d on the digital ski picture. Harry Saltzman wasn't really interested anyway, he thought an agency kid was a racehorse. But I've been asked by United Artists to cut a film director film about DH Lawrence's women in love. Would you prepare, be prepared to cut it as well? Yes. I don't know whether I c[…]
[…]life than the unlived life of a parent." And so to some extent, I feel I was living my father's unlived life. So I always knew that I wanted to be an artist, even though I didn't really know what that was because I'd never met one. But I knew they existed because I read about them in books. So as so[…]
[…]d on the digital ski picture. Harry Saltzman wasn't really interested anyway, he thought an agency kid was a racehorse. But I've been asked by United Artists to cut a film director film about DH Lawrence's women in love. Would you prepare, be prepared to cut it as well? Yes. I don't know whether I c[…]
[…]n my father’s side was trained as a scene painter. He was a scene painter and also a portrait painter as well. It was strange because the artist who taught him, they used to project the image of someone on canvas and then paint over that and I can remember two large paintings in my grand[…]
[…]ig house. We the house that they bought was a was a ruin, and my mother basically did it up from scratch. She was very talented interior designer and artist, and that's what she she did, but she didn't have she had a lot of problems as well. She was a manic depressive, as it was defined in those tim[…]
[…];Date: 12 April 2011, Venue: Teddington Studios,Interviewer: Mike Dick Camera Ruth BollandInterviewee: Mary Hillman Hair and Makeup Artist.TAPE 100:03:20 Motivation to come to London from Ireland00:04:35 &[…]
[…]ouldn’t take it but passed high up in the Civil Service and he got, became a civil servant but always an incredibly honourable one but chasing at the artistic bits as it were.SF: Yes.SF: Yes.3Name of interviewee Susan Crockford DRAFT Tape 1 Side ASo when it came to my leaving school there was no mon[…]
