Search Results for: BAFTA (1957)

Copyright is vested in the BECTU History Project19th December 1990, Maurice Carter, art director, interviewed by Roy FowlerSIDE ONE, TAPE ONERoy Fowler: When and where were you bornMaurice Carter: I was born in the London, in 1913, and I had the normal sort ofschooling, Gladstone, and I eventually w[…]

[…]ck : And I think it was a marvellous training ground, The Bush.Kitty Wood : It was.Jim Connock : I remember Johnny Goodman, he's sort of president of BAFTA or chairman of Bafta...Kitty Wood : He started at G-B I as a clapper-boy.Jim Connock : He started - he was a page-boy.Kitty Wood : Well, he was […]

[…] year becoming the first woman to receive the Desmond Davis BAFTA for creative work in television. In anticipation of the […]

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for[…]

[…]s. It was it was very successful indeed.Alan Lawson  5:23  diminished Of course on television, whereas I remember seeing it posts I shows a BAFTA are somewhat terrifically powerful. Impact amazing really use. But it's like you say a work of art image? Well, it's how you react to everybody […]

[…]and use it for lectures. I liked Thorold very much but I never saw that much of him. I then saw him again I think at one time I was on a committee at BAFTA and he was also on it. And that was very nice. But I knew a lot of early ACT people who I was very fond of, Sid Cole and of course the Bonds, Ra[…]

[…] think at one time I was on a committee at BAFTA and he was also on it. And that was […]