[…]h, I must have done, yes, but I probably didn’t know his surname.I: No, well he went on to be one of Lean’s cameramen, camera operator, and he was at Bafta that night too?CB: Oh was he?I: Yeah, but, Peter says it was a very happy little studio, was it? YesCB: Oh, it was lovely, Oh, it was lovely. It[…]
[…]w. Huw was even easy to cross out and do it and so it was a really have a great success. And what was even more extraordinary was having a showing at BAFTA for her in the Little Theatre and her family. And, you know, we actually, we didn't ask for it but BAFTA had the railings that are in front of B[…]
[…] (laughs). I couldn't get over it; we will pay you nine pounds a week2 Roy Oxley (1899-?) was a British production designer at the BBC, he won a BAFTA for his work on The Portrait of a Lady in 1969.3 Peter Bax was a production designer at the BBC, he worked on productions includi[…]
[…]esinger: Nominated, and so was John Voight. But sentimentally I think out of, John Wayne got it for True Grit. I think they were more generous at the BAFTA awards. I think they got awards here. Norman Swallow: A very great film John Schlesinger: It's just been revived, 25 years. They've re[…]
Interview No 204 Dennis Main Wilson.This transcript version was created using Otter software for the first three sides of the interview, which were edited and combined with a converted and edited PDF file of the remaining four sides. Consequently, the time codes are more infrequent on sides fo[…]
[…]e. Yes. Yes I see him from time to time. He could have done better at BAFTA. Yeah. Yeah. Now what about all the the equipment and so on. Was all […]
[…]in Love you know and Billy Williams came in and supervised the grade on that and subsequently Billy then showed it to the whole BSC showed it at BAFTA got a BAFTA award. It’s fantastic that these films can be made to look like they’re brand new, and that’s the wonder of Eastmancolor.SS: Do you […]
