[…]alking to set the other I didn't know anything about it, or more or less to them, it didn't exist. It must have been a very unusual occupation to ask for. So the and the panel as such, was chatting to one another. We could help this chap at all in any way, you know. And far as I know, it was left to[…]
[…]ny bus ride from Stoll Studios at Cricklewood.Arthur Graham: What was the reaction of your parents? Was there any connection with the film business before you went into it?Tubby Englander: No, none whatsoever. What had happened is that, as I said, I had to get a job, and my mother heard that an acqu[…]
[…] owner of the copyright. It is the twenty-first of October 1998 and we’re interviewing Susan Crockford. File number 440. Interviewer […]
[…]readings from the original cassette recording.Tape 1 Side AThis is a BECTU History Project, owner of the copyright. It is the twenty-first of October 1998 and we’re interviewing Susan Crockford. File number 440. Interviewer Stanley Forman and recorded by Manny Osper [ph 00:31].Say one, two, three.SF[…]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]o find out about how people get educated musically.RA: After that, I wanted to be a film director and I think it was Gaumont British offered a course for £100 where you could be an apprentice and I put this to my father and he refused to allow this because we had a history of so called tuberculosis […]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…] sets.SPEAKER: M34You know and you think well alive you know I've always quarrelled with these nominations. I won a few years ago I was on a jury for BAFTA Best Editing and one of the four films was Woody Allen film. Now how can you put that up. Because you know how he shoots it. There's a group of […]
[…]n recently about your life in great detail and so I thought on the tape what we'd do is expand on some of those areas, or maybe cover the areas that, for whatever reason, you didn't go into too much or at all in the books. Is that fair?Eddie Dryhurst: Anything you say, Roy.Roy Fowler: Okay. It's jus[…]
[…]claimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
