Search Results for: BAFTA 1998 for outstanding contribution to British film industry

[…] and My Lady’s Dress (1917), and the musical effects used for these films. She talks generally of her memories of […]

[…] all to see. So after it has been going on for about an hour he told the. tug to ease […]

[…] was no school lunches so I had to come home for lunch and go back in the afternoon and my […]

[…] it and refinement on it. And, and it won a BAFTA.[Laughter] It was, it was a SEFTA then, it wasn't […]

[…] Alf Tunwell: And um, of course I went in there for a very s hort period as still the office […]

[…] posters and things like that, but anyway. There I was for quite a long while and I had some quite […]

[…] he got me into their engineering workshops in Hammersmith. And for two or three years I had good training, going […]

[…] on a freelance basis. During the 1930s he worked largely for Gaumont and Gainsborough on films such as The Constant […]

[…] ah now we come to the piece de, piece de BAFTA, ‘Testament of Youth’. Exactly. [Laughter] How did ‘Testament of […]

[…] some other kind of job. And I went to work for. First of all I did do some. Art school […]