[…]c, New York, conducted on Skype by Paul Frith as part of the ‘Eastmancolor Revolution and British Cinema’ project, on 16 February 2018. So, thank you for agreeing to take part in this Simon. To begin with if we could talk a little bit about your background in film and photography, and how that reall[…]
[…]ea quarter of the B.B.C.’s output must come from independents. And George and I, two seniorproducers in the department, were invited by Will to go to BAFTA, sit on the stage andanswer questions about what sort of things we felt we wanted from independents (we theB.B.C.) wanted from independents and […]
[…]se is awards and honours and things like that. Have you had any [inaudible]?Well, I’m a Fellow of the Royal College of Art, and, I’ve got a BAFTA.For?A Channel 4 film Cutting Edge: Casualties.Ah, OK. And your parents did what? It’s sort of relevant.[laughs] My father was in the A[…]
[…]ike to say how you started out? BJ: Well basically I had no idea I was coming in the film industry. I went to school, grammar school, being paid for by my father.[01:00:28:460]I was always bottom of the class and it wasn’t until recent years I realised that I had slight dyslexia and t[…]
[…] architect, L. P. Williams began as an Art Director working for Herbert Wilcox at the Stoll Studios, Cricklewood in 1928. […]
[…] things there. And this was his biggest thing he did. He did a wonderful job. Then I suppose I still see a lot of him where he was he is a trustee of BAFTA.Unknown Speaker 38:51 Yes, IUnknown Speaker 38:52 see him.Lord Brabourne 38:55 And he he'd actually working […]
[…] ACTT History Project. David Prosser, Newsreel cameraman, later BBC film cameraman. Recorded on the 23rd of the fifth, 1989 at his home in Chandler's Ford, Interviewer Alan Lawson. Side one.[break in recording]Alan Lawson: David, to ask you first, where and when were you born?David Prosser: Born Car[…]
[…] was a British writer, director and sometime actor most famous for his work with Alfred Hitchcock. Originally involved in the […]
