[…]land and that’s where I gotmy first job, at Gainsborough Studios, as studio manager’s secretary.1: You just sort of went there and, you know, applied for a job and...?Yes. I was looking for a job and I saw the Gainsborough lady on the roof. I had just seen James Mason in The Wicked Lady, so I w[…]
[…]er.these were the professions that she followed in the early years of documentary filmmaking. She later went on to become Area Youth Work Coordinator for Ballantrae Council in the West of Scotland. The date of this interview is 1st October 1989. Marion, would you like to tell us something of th[…]
BECTU History Project Interview no: 465 Interviewee: Esther Harris Interviewer: Denis Gifford No of tapes 1Duration: 0:84:00COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material[…]
[…] screenplay. During the early 1950s he moved into television production for both the BBC and ATV, specialising particularly in musical […]
[…] include The Citadel (1938) and Goodbye Mr Chips (1939), both for MGM-British, and Busman’s Honeymoon (1940). She spent much of […]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…] Cinematography and also nominated for the Best Cinematography for the BAFTA award. Unfortunately I didn't win either. Freddie won the […]
This copyright of this interview is vested in the BECTU History Project.Interviewer Bob AllenThis is an interview with Peter Handford, sound recordist, and it is taking place in his studio where most of the train records for which he is quite famous have been put together at his home. The date is th[…]
