[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]er he was very good, he was a very good plumber and he was very good technically and eventually he got involved in the early days of polythene piping for nuclear installations, for laboratories, for industrial plants, for that sort of thing, extractive piping and became a manager in a big chemical p[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]8. Andy it's very kind of you to come along. Now we usually start out by saying when and where were you born? Andy Worker: Well I was born in Bedfordshire in 1916. I always wanted to be in the film industry and during the war I got the opportunity - I was a cost accountant, and I got a job at S[…]
[…]Katy McGahan 0:02 OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011. Katy McGahan 0:30 […]
Interviewer 0:00 This is an interview with Mike Aldridge and is the property of the History Project for BECTU. The date today is the 15th of September 1997. And, Mike,can I ask you where and when you were born?Michael Aldridge 0:20 I was born in 1941 in East London and […]
[…]an Lawson (AL) and John Legard (JL)Date 03/03/19943 Tapes Side 100:00:00 – 00:12:00 Introductions; born in Margate, 1925; father was a solicitor for Southern Rail; lived in Margate until the war; as a child DW would got to the cinema every week; very little of his early life had anything to do […]
[…]Well it's changed the union a great deal, of course.Well that's it, I think it has. Because it's now really it's, it's all geared, it's like with the BAFTA awards and all those sort of things I get so upset about, it's all about television. I mean, film, it was the film...Y es.Awards, let's face it,[…]
[…]omething called Fragment of Fear, that was a modern one with Gayle Hunnicutt and David Hemmings. Then I did The Hireling, for which I got a BAFTAaward, that was twenties. The book isn’t twenties, I think the book’s forties, but I thinkthey were right to make that twenties, I think that wor[…]
