Search Results for: BAFTA 1998 for outstanding contribution to British film industry

Billy Williams: Yes, for the main. There was one which was a very bad experience but I won't tell you […]

[…]And then from that working on preserving the films themselves, so that’s both photochemical and digital. We still do, try to do, mostly photochemical for most projects. So that’s making new pre-print elements, new prints on 16mm or 35mm and then going on to do digital preservation as well, so 2K or […]

[…], G-A-L- B- A- double L-Y. My dad was a trade unionist, and not a trade union official, but he worked in Creamery, and he was a member, an active rep for the Irish Transport and General Workers Union. And my mother was a publican, but during one of the many recessions we had in Ireland, pubs in vill[…]

[…]tising and distribution.Interviewed by Brian Taylor and John Legard. 30.09.2003.Transcription by Allen Eyles, September 2007.INTERVIEW WITH MEL FABER FOR BECTU HISTORY PROJECTMF: I'm a Liverpudlian as you may gather from a problem I have with certain words like fur-her? but otherwise I spent most of[…]

[…] permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.BECTU History Project Interview no: 340 Interviewee: Jan […]