[…] we, anything we thought Pet, was a bit iffy we got rid of it, you know, and did a bit more preparation on it and refinement on it. And, and it won a BAFTA.[Laughter] It was, it was a SEFTA then, it wasn't a BAFTA.Yes.So I always believe that it's an ill wind that blows nobody any good after all tha[…]
[…] it and refinement on it. And, and it won a BAFTA.[Laughter] It was, it was a SEFTA then, it wasn't […]
[…] and My Lady’s Dress (1917), and the musical effects used for these films. She talks generally of her memories of […]
[…] M5 And the three of us were contracted to operate for these companies. I work for Cine Guild and Chris […]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]they’re too tight, I can’t stand that” – but in the end, they kind of got used to it! (Laughs)RL: You had another award. I suppose we would call it a BAFTA award today, but it was before BAFTAs.JH: Yes, it was for The Wrong Box. In those days, the award for costume, all their awards were very much f[…]
[…] that fills me full of apprehension. And it's all day for night material and that's very dicey to do with […]
[…] BBC1 after the evening news. It was nominated for a BAFTA award. Today any TV documentary, however innocuous, is checked […]
