[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]He got killed in the war. I think he was in thestudios when they were bombed.Alan Lawson: He was an American, wasn't heMonty Berman: Yes it he worked for Warners in America and they sent him over here torun the studios on the administration side.Alan Lawson the: It seems to have been quite a happy s[…]
[…]s outside the theatre. However this woman very craftily suggested to the headmistress that it would be a good idea if she trained us to go onto a platform and stand at a lectern and learn how to control your breathing and so forth. The only training I ever had in the theatre I may say. And having st[…]
[…]nbsp;0:00 The copyright of this recording is vested in the ACTT History Project. Kenneth Griffith, actor in feature films, producer and performer in television documentary programmes. Interviewer Colin Moffat 23rd of April 1990. Colin Moffat 0:22 Kenn[…]
[…]-15Interviewer: Roy FowlerInterviewee: Ella MallettTape 1, Side 1[N.B. side 3 of another interview takes up about a quarter of side 1 of this tape, before the above interview starts.] Roy Fowler : It's still the 15th June, 1988. We're still at Glebelands and we're about to talk to Ella Mallett,[…]
[…] permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed. 1 NB: The time codes given here are estimates […]
[…] on a freelance basis. During the 1930s he worked largely for Gaumont and Gainsborough on films such as The Constant […]
