[…]ber 1987 Interviewer, Arthur Graham  Arthur Graham: Where and when were you born?Alan Lawson: I was born in Gidea Park, a suburb of Romford in July 1912, we moved to London 3 years later.Arthur Graham: Whereabouts?Alan Lawson: Hampstead Garden Suburb where I more or less lived ever si[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]ed that the Royal Television Society became the leading television society in the country, I mean, it was far more important in television terms than BAFTA, which after all, also embraced film. I’m not decrying BAFTA. I think BAFTA do a fine job. But after all it’s film and televis[…]
[…]re interviewing Francis Cockburn I spell the name C O C K B U R N, who started life in the film industry as an editor became a producer and finally information officer interviewer is Margaret Thompson the date is the 16th of March 1990 side one.So, Frances tell us something about your background whe[…]
[…]lly went to an art school when I was 15.Roy Fowler: That was always part ofMaurice Carter: I suppose I always had, my father was in charge of work on for instancethe Titanic, interior work, and my brother was an architect, and my other brother was inpublicity, in artwork in publicity. So there was a[…]
[…] permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the BECTU History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.Kitty Marshall Page 1BECTU History ProjectInterview […]
[…]n those days, and it was all painted green and that's where they used to do the films, in this glass studio, there were no others there at all except for the others which was the office block. And um - and it went on like that, in that glass studio until 1927, and I think A Man of Aran came into the[…]
[…]ey Burton once who didn't require any changes. He got transmitted on BBC One peak viewing time just after the news. And it was it was nominated for a BAFTA. You know, and there was about 5000 credits on that film, maybe less, you know, it just shows what could be done, which doesn't happen now. And […]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
