[…]use it was free. There he learnt to become very good at gymnastics and it appears, I don’t know, from what I was told by my father; a circus performer, I suppose he was on the lookout for youngsters, saw him and was taken with his ability and signed him up to go the circus. And he was on[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…] Derek Threadgall who have put it together. I’m also grateful for the work that John Harwood has been putting in […]
[…] recording activity, we’d also from time to time mount a BAFTA event. Alexander Korda’s centenary was celebrated with a screening […]
[…]y ProjectInterview with Jean KentJean Kent (1921-) is a British film and television actress whose work spanned seven decades. Often known for playing bad girls, her film credits include Fanny by Gaslight (1945) Good Time Girl (1948) Trottie True (1949) and The Browning Version (195[…]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]en on the individual labs did their own negotiations; only 35 staff working at Perivale at time of interview; HM took retirement in 1989 then went to BAFTA as finance director.00:25:12 – 00:34:26 Universal labs came in as a rival to CFS; 16mm wasn’t considered ‘professional’; they had very few perso[…]
[…] interviewed and. Then. Start talking about. Your career. But just for starters Could you introduce yourself say who you are […]
