Search Results for: BAFTA Cinematography (1993, 1997, 2002, 2011)

[…] can be seen by people still. So Bill’s career then really did move on; he did a wonderful film about poaching called Bloody Ivory (1978) which got a BAFTA nomination.[99] He edited two stories together; he did the work of David Sheldrick against the poachers, because there was such a huge poaching […]

[…]ed that the Royal Television Society became the leading television society in the country, I mean, it was far more important in television terms than BAFTA, which after all, also embraced film.  I’m not decrying BAFTA.  I think BAFTA do a fine job.  But after all it’s film and televis[…]

[…] the British Film Commission. Goodman has been closely involved with BAFTA throughout much of his career, and he held the […]

[…]ery helpful. Whenever he’s been asked to do anything he’s always done it gracefully and, and happily, joyfully. Full marks.  Relations with BAFTA? Mm, mm.  Let’s move on.  Right ho.  Relations with BAFTA. When did they develop, how did they develop, mm?&n[…]

[…]er I would be the boss of 'Euston Films', but that's another story. Anyway so I was getting depressed and that and then suddenly there's a problem at BAFTA. Now I had been on the BAFTA council for quite some time. I was a very impressionable guy. I mean I got on the BAFTA council and there's all the[…]

[…]wn as the techniques of driving electric auto. Motives you cannot imagine on the title anything being more boring, but in actual fact, it won a prize BAFTA that year for the best instructional film, or something like that. But it fascinated me because the director was a man called Ken Fairburn. Oh, […]