Anne V Coates

[…]d then my father had a 16mm camera that, he used to take photographs of us as kids. Mhm. Which I still have. And... Will they surface at the BAFTA [inaudible]? [laughs] I don’t think so. I... I don’t know where they are now. My, my problem from the BAFTA point of view actually is the fac[…]

Gerry Fisher

[…]m with a View in I was operated and lit and more recently the how's the recent one won the Oscar for for light, not for lighting and won it for one a BAFTA award I bet one thethink what it was? Or blank for the moment? Trying to think too many too many directions at once. Well, nevermind, we'llleave[…]

Chris Menges

[…]e 1970s. Kind of your assumptions that you, perhaps, you developed together around the use of colour.CM: Well, the film we made after Kes was After a Lifetime by Neville Smith, set in Liverpool, and that was a colour film. And it was in colour because it was made for London Weekend Television and th[…]

John Shirley

[…]ng it for about 18 months when I went on. On an off site. I mean, as far as I could make out if you Russian productions have you know, more or less a lifetime's existence once you've got on and he couldn't speak a word of English and yet he was directing Peter Finch and Sean Connery German guide I c[…]
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