[…]ll I was getting one and ninepence an hour [less than 10p DS], something like that which was about three pounds ten a week. In old money. I was still living at home with my mum – I had to give my mum a pound a week, and live on the rest. Which you could quite well. Funnily enough. And my friends at […]
[…] Robin Hood, Robin Hood of the 1950s so that was quite interesting actually because we had a kind of, you know... 0:15:46.7 MIKE: Because you're living away from home for the first time and you're in this new job but I mean, quite prestigious series, I mean, it's huge. 0:15:53.8 JOY: I kno[…]
[…]w. Huw was even easy to cross out and do it and so it was a really have a great success. And what was even more extraordinary was having a showing at BAFTA for her in the Little Theatre and her family. And, you know, we actually, we didn't ask for it but BAFTA had the railings that are in front of B[…]
[…] it later. As a matter of fact he just got the award for the best colour photography and black and white photography this last year, I think it was a BAFTA award.Manny Yospa: Do you mean Bob Krasker?Leonard Harris: No not Bob Krasker.Alan Lawson: No, no, no, Bob Krasker is dead!Leonard Harris: Oh, a[…]
[…]exemptions for this that and the other. We went on a lovely trip and there we are in Rome. That was very nice and we soon found it was very expensive living in Rome. We thought "Where shall we go" and studied guide books and things and finally decided on Rapallo, because it said it was very good for[…]
[…]wn as the techniques of driving electric auto. Motives you cannot imagine on the title anything being more boring, but in actual fact, it won a prize BAFTA that year for the best instructional film, or something like that. But it fascinated me because the director was a man called Ken Fairburn. Oh, […]
[…]and use it for lectures. I liked Thorold very much but I never saw that much of him. I then saw him again I think at one time I was on a committee at BAFTA and he was also on it. And that was very nice. But I knew a lot of early ACT people who I was very fond of, Sid Cole and of course the Bonds, Ra[…]
[…]umably a film director-WR: Well for some time – I was so young Les that I don’t really know – he almost took over Beaconsfield Studios, which we were living almost two or three miles away from, and she – when she wasn’t with him – I know one thing she did, she did two liners, two big liners, she did[…]
[…] white photography this last year, I think it was a BAFTA award. Manny Yospa: Do you mean Bob Krasker? Leonard […]
[…] was always a crowd of native extras on the ground, living in tents near the exterior jungle film set. It […]
