[…];same subjects. It was very successful, it wasn't well made I'm afraid,but certainly Living with Danger was a series which Geoffrey Baines which wasquite good, we did sev[…]
[…]t on this South African picture, 'The Magic Garden'. They had no studio, they had a basement under a cinema. Now in the mornings we had enough electricity, but the sets were made of corrugated cardboard, the wrong way round, see? We had no crew at all, no crew. In the mornings we could do a sort of […]
[…]ed at college in the Students Union, it was at the time of the Hornsey College of Art rebellion, I suppose even then, when I turned up to work for my living. I was a bit of gas that the people around me who were more worried about taking their dog for a walk and a lawn mower and what was actually ha[…]
[…]t meeting with him at their offices in Mayfair. But nothing came ofit but I did meet him for about 5 minutes.AG: When you started work where were you living and how did you get fromwork.DB: It was quite a thing when you think about it today. I was living atBedford Park near Chiswick, always hoping I[…]
[…] - yes. Sidney Cole: You realise that when you were living in Cricklewood, you were near films because there was […]
[…] me have the service of his foreman, he was the best engineer I've ever met in my life, and the […]
[…]throughout the 70s, the department expanded until I can remember in 1978, I think it was about then, and I just begun Empire road. David hare won the BAFTA Award for licking Hitler. Gangsters was our series. Alan Bleasdale had just done the first black stuff, film. And this all went out in one sees.[…]
[…]t a good atmosphere, actually, and there was a constant feeling of management and – worker is too – you know what I mean. In that sense it wasn’t the best atmosphere.I do remember a question being asked on the very first occasion when I joined the BBC and they had a good question, which was “How do […]