[…] festivals. We have also worked with the University of East Anglia, BAFTA, the David Lean Centre, BUFVC, the Bill Douglas Centre for the […]
[…] TV versions of the films, but also film version, you know, the cinema versions, so you'd have to hold up prints accordingly. So there was a dual capacity for the films, which was cinema and TV. AndSpeaker 1 8:30 were you able to get much sense or remember in terms of the briefs that wer[…]
[…]y, of all the reproduction means, making separations and then recombining those to a negative got you about as close to the original negative. Second best is a digital intermediate. Third best is going colour interpostive-colour internegative.PF: Brilliant. So, looking at long-term preservation of f[…]
[…]Edinburgh actually. For Edinburgh had just started then. I: How was the switch for you? R: I liked outside broadcast because out in the big city suited me fine then. I: I can understand that. R: But it was changed days there, I mean the cameras took ages to line up and whether it[…]