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[…] music sessions! Jim Shields: It always works out for the best doesn't it? Peter Stroud: Yeah, yeah, dead lucky you […]
[…] in. The kind of people who made the political, the factual films of our day and couldn't get them on […]
[…] was in his fifties, and he’d worked there for the best part of thirty years. His reputation as a master […]
[…] probably as the driving force behind the 1944 Laurence Olivier film of Henry V. Olivier himself is credited as Producer […]
[…] Christmas holiday show, on Saturday 27th December (http://genome.ch.bbc.co.uk/90c5aba39c134d49af0d55b5f1d863ef) as “The best of today’s ‘pop’ entertainment”. Heading things up were Cliff […]
[…] of nostalgia, with the main focus inevitably on his seven film performances as James Bond. His were the funniest and […]
[…] Brazilian filmmaker Alberto Cavalcanti to move over to Ealing. His best-known projects there include Kind Hearts and Coronets and The […]
[…] of the artwork that I had produced for this monumental film forty years ago. At random, I selected two boxes […]
[…] and abroad. Hazel Ascot In the late 1930s Sound City Studios – the forerunner of Shepperton Studios – faced […]