[…]s the name of the programmeBill Cotton Jr: The Billy Cotton Band Show. And we did a thing called The Wakey Wakey Tavern, which I did just to make the pictures look a bit different. The extraordinary thing with my father, because he had a stage show, he had a radio show and his radio programme which […]
[…]mera work, but still camera work from the age of about seven - I've still got some stills I took on an [Ensign?] plate camera...er...which aren't bad pictures, I mean rather than just a snapshot, um, at the age of seven or eight, and I worked on from there learning about it. My father also did photo[…]
[…]some of the scenes he was going to do tomorrow.BA: Were they feature films.BE: They were all small feature films, what would be called now low budget pictures, they were all low budget then, though we used to think they were high budget some of them, but what would have been high budget then, would […]
[…] the British Film Commission. Goodman has been closely involved with BAFTA throughout much of his career, and he held the […]
[…]print which, conversely, if you were to project that in a preview theatre it looks flat and uninteresting but gives you the best option to get a good picture out of on transmission, on telecine. Modern machines are much better in that respect as far as contrast ration handling goes so it’s probably […]
[…]a is the British Association of British amateur video awards. Sorry, and that replaced the 10 Best. So that was quite an occasion when we went to the BAFTA Institute in Piccadilly to receive the award. Then followed the American dream, a travelogue in California, Palm Springs, San Diego and Los Ange[…]
[…]nd to drag an awful lot. Yeah I know a lot of the big features. Yes. They didn't seem to add an awful lot. So often we'd come out of the screening at BAFTA and we just said Well that would have been a marvelous song if any it had been half an hour or 40 minutes shorter.SPEAKER: M8And you could see w[…]
[…]t, if you like, you think the labs have, which I think you didn't have in the studios so much, especially after it was, you know, when you're on from picture to picture, continuity was continuity and a feeling of esprit de corps. Oh, yes, that. That's quite true. Talking about Gordon McCallum. Goon […]
Brian Pritchard (BP) Motion Picture Consultant (Formerly Kodak, Filmatic, Humphries & Hendersons) Interviewer: Paul Frith (PF) Date 05/03/2019 Length 02:17:14PF: This is an interview with Brian Pritchard. Thank you for taking part in the interview today. So just to star[…]
[…]ey Burton once who didn't require any changes. He got transmitted on BBC One peak viewing time just after the news. And it was it was nominated for a BAFTA. You know, and there was about 5000 credits on that film, maybe less, you know, it just shows what could be done, which doesn't happen now. And […]
