Pete Murray

[…]; Describe the evacuation, what the impact of …PETE MURRAY:  Well, the impact was purely and simply you packed up and went.  I mean you see pictures of people getting on trains and things like that, in great numbers, but we went individually to the various evacuation centres and I was bill[…]

Nancy Thomas

[…]ay, ‘Gargantua, I must have...’ whatever it was he wanted to have, you know. [laughter] I knew him right to the very end because I used to see him at BAFTA and various places and his voice would come ringing out, ‘Gargantua! How are you?’ And everybody would turn round. [laughter] This very small ch[…]

Stephen Peet

[…]ous experience of shooting and editing... and Morris had, with the help I don't know Kodak or somebody, some marvellous big blow-ups of his very good pictures which went on exhibition for this organisation. And he never looked back. And then he went surging ahead as a, as a professional still photog[…]

Adam Dawson

[…]r  10:44  I don't think so. Adam Dawson  10:47  But eventually, it was in 1935, I got a job at New Ideal Pictures, which had now renamed Triumph Film Studios to Riverside Studios, Crisp Road, Hammersmith and the producer was Simon Rowson and Jeffrey Rowso[…]

Joy Batchelor

[…] for what, for the BFA, British Film Academy days? Or BAFTA? Joy Batchelor: BAFTA. And abroad too. I was on […]

Anne Fleming

[…] recently-AF:  - there has been a complete restoration. Digital restoration.MW: Marvellous things have been found … lots more information in the picture than was known about which is marvellous.AF: Yes. Yeah. I think I think the information was always in the picture. But you had to be looking a[…]

Peter Williams

[…]0. Historically – you will know this but I’ll just say it – the reason that Thames Television travelled with crews of 12, it was the residue of a big-picture agreement, that feature films would function only with a team of 12 with all the roles that you’ve just outlined – sparks, sound men, whatever[…]
Scroll to Top