[…]nge hit that year. It was huge, and it was a show called the Dead class and and we got to know the theater company very well, and there's some lovely pictures of them lounging around on the lawn. Cantor spoke only French, and my my mother spoke a bit of French, but not very much. But that we all got[…]
[…]; Describe the evacuation, what the impact of …PETE MURRAY: Well, the impact was purely and simply you packed up and went. I mean you see pictures of people getting on trains and things like that, in great numbers, but we went individually to the various evacuation centres and I was bill[…]
[…]ay, ‘Gargantua, I must have...’ whatever it was he wanted to have, you know. [laughter] I knew him right to the very end because I used to see him at BAFTA and various places and his voice would come ringing out, ‘Gargantua! How are you?’ And everybody would turn round. [laughter] This very small ch[…]
[…]ous experience of shooting and editing... and Morris had, with the help I don't know Kodak or somebody, some marvellous big blow-ups of his very good pictures which went on exhibition for this organisation. And he never looked back. And then he went surging ahead as a, as a professional still photog[…]
[…]r 10:44 I don't think so. Adam Dawson 10:47 But eventually, it was in 1935, I got a job at New Ideal Pictures, which had now renamed Triumph Film Studios to Riverside Studios, Crisp Road, Hammersmith and the producer was Simon Rowson and Jeffrey Rowso[…]
[…] the very end because I used to see him at BAFTA and various places and his voice would come ringing […]
[…] for what, for the BFA, British Film Academy days? Or BAFTA? Joy Batchelor: BAFTA. And abroad too. I was on […]
[…] recently-AF: - there has been a complete restoration. Digital restoration.MW: Marvellous things have been found … lots more information in the picture than was known about which is marvellous.AF: Yes. Yeah. I think I think the information was always in the picture. But you had to be looking a[…]
