BECTU History ProjectInterview no: 176Interviewee: Cynthia MoodyInterviewer: Margaret Thomson (1)/Manny Yospa (2) Duration: 02:01:50 COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.histor[…]
[…]rd as the first reception. It was done on shortwave from his own transmitter in Coulsdon. Amateur transmitter. He says he got some sort of picture in New York. We- Nobody could quite make out what it looked like that something must have happened. He got the semblance of something. It's on[…]
[…] the orchestra rail to see what Father was playing, but he was no fool so he used to black out the titles.SC: Did you used to go and see a lot of the pictures.EB: Well it was a special treat for me on a Sunday night, to go and see, but Father was offered a job in a very tough district in New North R[…]
[…]pre-planning of the jury selection committees. I did my share of those.Kay Mander: That would be for what, for the BFA, British Film Academy days? Or BAFTA?Joy Batchelor: BAFTA. And abroad too. I was on the Venice Film Festival, and one in Portugal, one in Spain. There was a general consensus, and I[…]
[…]olor has never ever been worse than Eastman and in my view in many instances better.Yes.52But the shelf life of Technicolor I saw when we had a go in BAFTA in Piccadilly on an odd occasion we saw red shoes, some old shots of red shoes that had been kept that had been on the shelf thirty-five years a[…]
[…] ah now we come to the piece de, piece de BAFTA, ‘Testament of Youth’. Exactly. [Laughter] How did ‘Testament of […]
[…] and when it went 'ping' you went onto the next picture. So we would send the machines out, supply the […]
[…] name was Elliot Ellistoffen? and he was assigned to the picture before I joined the picture as a colour consultant. […]
[…] their own epic. Thus we started with Edward Dryhurst’s [screenwriter] picture entitled Whilst I Live, still famous for the theme […]
[…] as doing small amounts of stage and television work. Her BAFTA nominations (for Psyche 59 (1963), Help! and Casino Royale) […]
