[…]taries. Well I think I would say basically we did documentaries because the people we had in the group, (1) We didn't have the finances to make story pictures and (2) I don't think we had the able people, the able filmmakers that could have really competed on a technical level as far as production w[…]
[…]: What do you find about working with David?FY: Well, I liked it very much. He was a perfectionist, he was very keen on the pictorial side of a picture. In the old days very often you would have a director who all he was about was speed and getting through on schedule. And more wor[…]
[…] was busy in the sense that we went from one picture to the other and so on and so on. […]
[…] into say Dubbing One or Two and we dub a picture - or any dubbing theatre in the world - […]
[…] the first day. And if you lose, you've lost the picture, and that was it, that was the test. John […]
BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…]now when this will go live but about to be published in the next. By the end of August is a new book called Tony Hancock inside his life in words and pictures, is written by Tony's great niece, Lucy Hancock, along with Tony Hancock appreciation, society, archivist and membership Secretary Tim Adams […]
[…]big part of what was happening at Kodak. So all aspects of that, to understand why we were doing things, was quite key, and to understand the broader picture of the process. There was an element of people, and this was true of all film work that we were involved with in the laboratories side, was th[…]
