[…]rible television series. All right. Shippers worst shippers which is everything the BBC theater. And. I was on the camera there in the girls with the picture of the stage.SPEAKER: M16I was expecting to take many pictures with it but one by one there was a four camera effort one by one all three. The[…]
[…]ts of curtains originally what we used to call screen tabs which were behind the house curtains so you had those to control before you put the actual picture onto the cinema screen. And depending on the type of film you would put lighting hopefully to compliment the presentation.That sadly is long g[…]
[…]ents did in the film industry? Kent Houston 1:56 Yes, my father was a sound engineer and was involved in very early Motion Picture Sound on both sides of the Atlantic. He worked for Disney. He did some work on Fantasia, and he was also involved in a lot of the development […]
[…]luding Sir Francis Drake (1961-1962) where she played Queen Elizabeth I.JK: My name is Jean Kent, which I had to change actually when I went into the picture business. My actual birth name is Summerfield which my father always said was actually far too long for a bill. He always used to use the name[…]
[…]was all, as I say, like a fire being like a filing clock in a way. And I'd pretty much had enough of the hours, and particularly working at worldwide pictures. The editing room that we ended up in was in the basement, and the only window opened out onto the shaft, the air shaft. So it was just, it w[…]
[…] is as onejob that we all loathed to do because of the difference in the phases of electricity, you found thatyou were getting hung bars through your picture and if you were looking through your camerawhich had twin lenses you would see these hung bars come through. The only way you couldobliterate […]
[…]en on the individual labs did their own negotiations; only 35 staff working at Perivale at time of interview; HM took retirement in 1989 then went to BAFTA as finance director.00:25:12 – 00:34:26 Universal labs came in as a rival to CFS; 16mm wasn’t considered ‘professional’; they had very few perso[…]
[…] way I want it!"Jim Shields: Yes, you see I've thought differently about that Peter because invariably we go into say Dubbing One or Two and we dub a picture - or any dubbing theatre in the world - you go in, you dub a picture, the director knows the mixers on the desk...Peter Stroud: Hmm...Jim Shie[…]
