Ian Rutter

[…] all the cables out, and rig it up into, say, a room somewhere. So we tried to do this in the scanner Hall at Kendall Avenue, and there's a very good picture of cables everywhere. And there are so many cables, and the weight of cables was so high, it was pulling the connectors off the back of monito[…]

Robert Love

[…]obert Love [Start of Recording] [00:00] I: So we're interviewing Robert Love. I'm the interviewer, Tim Amyes. Robert was here from '76 to '93? R: Till 2001, I think! I: 2001! 1976 till 2001. And today is the 28th [May, 2017]. So there we go. We've identified the tape. So whe[…]

Penny Woolcock

[…]billboards, so in many cases, I got a better review, but it was in the small section. And the big film, even though it was being slagged off with the picture was, was Borat. So that was one. But the other thing is that the police were very... I mean, to this day, I don't really understand it because[…]

Jenny Barraclough

[…]ea quarter of the B.B.C.’s output must come from independents. And George and I, two seniorproducers in the department, were invited by Will to go to BAFTA, sit on the stage andanswer questions about what sort of things we felt we wanted from independents (we theB.B.C.) wanted from independents and […]

Mary Orrom

Mary Orrom  Katy McGahan  0:02  OK, this is an interview by Katy McGahan, one of the curators in the Non-Fiction unit at the BFI interviewing for the BECTU History Project, Mary Orrom, filmmaker, editor and director. And it's 25th of January 2011.  Katy McGaha[…]
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