[…]ys, as I've told you before, we had to use tripods. And that wasn't very easy to go into a football ground, or a racecourse and start trying to pinch pictures with a camera and tripod. I can quote you, for instance, the Grand National, was a great pinching job.Ralph Bond: Oh yes, tell is about that.[…]
[…]der it was coming up, so they could preview it. Because you were wanting to take it as soon as it was up, because the director wanted that particular picture up. But the directors then of course knew nothing about the technical side. People like George More O'Ferrall, if things went wrong he used to[…]
[…]ey went out to Italy for it didn't go to your mother and a lot of trouble with her. She was very temperamental in that lot.I don't even remember that picture. Apart from the fact that they were done a shot of playing with Syria. And they've got two cameras on the end of a plane where say goes doesn'[…]
[…]ubling and so forth. And then we did a lot of big productions dancing, mostly old time dance, not old time, but when they did the big ballroom period pictures, and it just went on from there. Well,Speaker 1 2:56 going back a bit, Paula, what sort of age were you when you started in the t[…]
[…]the whole blinking film except a few location shots done by Peter Hennessy. When the film was finished and printed somebody said to me I saw a lovely picture the other day, pity about those three or four travelling matte shots in which we saw the black lines were in it. I nearly burst my boiler as t[…]
[…] As most of you will know we took the decision to cancel our regular monthly History Project meeting at BECTU […]
