[…]4:32 Could we just maybe draw on your memories of Kodak at that point. They were market leaders presumably in store. I guess when making Motion Picture stocks andDennis Kimbley 4:45 those who were making black and white Motion Picture stocks. And yes, they were indeed In fact, very[…]
[…] joined it when [it was] the time the Hungarian revolution and he left the country. But because his uncle was company secretary of ABC Pictures he got the prime jobs and I was just left … sweeping the floor most of the time. Learning how to repair cameras which stood me in great […]
[…] in exactly the same containers as the film for the picture camera. So you didn't know - there was no […]
[…]Hitchcock there at that time?WR: No, I never worked with Hitchcock. Graham Cutts, was he there once, Monty Banks.LH: Formby, did they make the Formby pictures there.WR: Yes – I’ve got a feeling that was after – you see then, very shortly I, my parents then were living in Ealing, they moved to Ealing[…]
[…]e stuff in, in the middle of the night a camera case arrived and the film for the sound camera was in exactly the same containers as the film for the picture camera. So you didn't know - there was no note on it saying whether it was sound or picture, it just said, "Open in the dark". So the foremant[…]
[…]eginning - no that's not fair - I was going to say the beginning of Gainsborough's ascendancy, but actually they had turned out some very interesting pictures before that... Andy Worker: Oh yes, they had. Roy Fowler: But suddenly they came into prominence along with so many other companies[…]
[…] making quite sure you'd got enough left to finish the picture with, you know. Which is what they hadn't done […]
[…] called “Basic Principles of the Three-Dimensional Film.” This was a long article, 40 pages. It was published in The Journal of the Society of Motion Picture and Television Engineers for October 1952, and I was co-author, in collaboration with Raymond and Nigel Spottiswoode. This paper was later giv[…]
[…]-known man we’d seen running around in Features, in Documentaries, called Elkan Allan, who had worked on the London Gazette, no what was it?JPH: Picture Post, he’d been with. DS: Picture Post with Cyril Bennett. JPH: He knew Cyril Bennett.Daphne Shadwell DRAFT Page 109DS: Go[…]
[…] the original that I've read about, Petersen and Poulsen, the picture ran at 16 frames but the sound ran at […]
