[…]n a separate film. The original - now this is the stuff - this is on a question, because the original that I've read about, Petersen and Poulsen, the picture ran at 16 frames but the sound ran at 32 frames, so...Mickey Hickey: No, I...Bob Allen: So that by this time that it had come to you, this mus[…]
[…]arly what the first competition was that I entered for. And got a little prize. It was a film called the swordsman with Larry Parks before his Jolson pictures and Larry Parks made a film called A swordsman which played at our local cinema. And there was a painting competition which I did and I think[…]
[…] original that I've read about, Petersen an d Poulsen, the picture ran at 16 frames but the sound ran at […]
[…]p;43:14 So anyway,Richard Marden 43:15 so that was only 49. Then about I suppose six years ago, seven or eight years ago. I went to BAFTA for lunch I was working in town, I often get a BAFTA for lunch and I went in there and there were not many people about and I saw an old gentlem[…]
[…]was a one-off.Rodney Giesler: I don't know. I never met him (Neame) although I wrote and thanked him profusely. Also I only finally met David Lean at BAFTA about 6 months before he died. But that day at Pinewood was the next step towards movie-making.John Legard: Your day out at Pinewood was a very […]
[…]et about eight of you. Yeah, so essentially, is a considerable assignment, of course. And we could hire cinemas for six pounds. And remember that the picture house Burns the films were got from distributors to the London, the Film Society, which Barbara Frey was the secretary at the time. And we sho[…]
[…] him profusely. Also I only finally met David Lean at BAFTA about 6 months before he died. But that day […]
[…] we, anything we thought Pet, was a bit iffy we got rid of it, you know, and did a bit more preparation on it and refinement on it. And, and it won a BAFTA.[Laughter] It was, it was a SEFTA then, it wasn't a BAFTA.Yes.So I always believe that it's an ill wind that blows nobody any good after all tha[…]
