Gus Walker

[…]n you when the Gus Walker  4:22  studio, no, I got a job through this friend of mine. He wasn't interested in going into the picture business, but he did a good job with mentors, and he told us that they wanted people, and we go in on nights, and at that time, there was some[…]

Keith Ewart

[…]not to a great extent, I think that they, they are political. I mean, you know, and we shouldn't be to do with politics. It's taking for granted that BAFTA does it, of course. What's it called? Can't remember the bashand something, Thatcher Association. It's silly. It's not what. We're here about ba[…]

Geoff Labram

[…]23 years has been your year of birth and mine a couple of years later, actually, we both sort of entered the world. At the time when when the talking picture. A commercial commercially anyhow was starting to evolve and become a more practical consideration for a form of entertainment. What do you ha[…]

Mike Bradsell

[…] a few days of oh my god, I've really made a horrible mistake, I'll get fired.Simon Rose  25:11  And I guess this company was united motion picture. Yes, that's right. It wasn't quite as grand as it is it sounds about how many people that is employSpeaker 1  25:22  about a dozen.[…]

Ernest Marsh

[…]ugh to have a wide CinemaScope lens screen. And so what they did, they actually. Lowered the masking at the top, brought it up at the bottom, and the picture, a CinemaScope picture, was about half the size of the standard one, and so that was to be remedied in 1959 when the central was closed and wa[…]

Interview

[…] a few days of oh my god, I've really made a horrible mistake, I'll get fired.Simon Rose  25:11  And I guess this company was united motion picture. Yes, that's right. It wasn't quite as grand as it is it sounds about how many people that is employSpeaker 1  25:22  about a dozen.[…]

Jimmy Wright

[…]t. Was on the Sunday night. It was in March. I think I was awarded my BAFTA yes Award on Sunday night and on the Tuesday I was at Buckingham Palace&nb[…]

Geoff Hermges

[…]wn as the techniques of driving electric auto. Motives you cannot imagine on the title anything being more boring, but in actual fact, it won a prize BAFTA that year for the best instructional film, or something like that. But it fascinated me because the director was a man called Ken Fairburn. Oh, […]

Sheila Collins

[…]s the four major studios: Ealing, Shepherd’s Bush, Pinewood and Denham, there was Highbury, where John Croydon made those excellent little supporting pictures, and it was a training ground for the younger artists and younger technicians. And some very good things came out of there.Yes, I’d forgotten[…]
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