Search Results for: BAFTA for Casualties (Cutting Edge series 1991)

[…] the very end because I used to see him at BAFTA and various places and his voice would come ringing […]

[…] premature, so he sent him off to America, San Francisco for some years and when he came back he decided […]

[…], and brother and I was born there in this house that had been bought by local Quakers, and then my parents rented it because my father was in prison for two and a half years and they virtually were on their beam-ends and so that's where I spent the first four years of my life. The background the hi[…]

[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]

[…] thing that astonished me was the first job I did for the BBC was to edit the entire recording of […]

[…] the last occasion. I’d just like to put them down for the record, and one was a cameraman that was […]

[…] When the Bough Breaks (1947). After Gainsborough closed, Yospa worked for various companies, including the Film Producers’ Guild at Merton […]

[…]se is awards and honours and things like that. Have you had any [inaudible]?Well, I’m a Fellow of the Royal College of Art, and, I’ve got a BAFTA.For?A Channel 4 film Cutting Edge: Casualties.Ah, OK. And your parents did what? It’s sort of relevant.[laughs] My father was in the A[…]

BECTU History Project Interview no: 465 Interviewee: Esther Harris Interviewer: Denis Gifford No of tapes 1Duration: 0:84:00COPYRIGHT: No use may be made of any interview material without the permission of the BECTU History Project (http://www.historyproject.org.uk/). Copyright of interview material[…]