[…]ause he was instrumental in lots of movies that I did and were wonderful. John Slessinger, all his movies. The first nomination I got for BAFTA was on a John Slessinger picture which was Sunday Bloody Sunday.I am getting to feel quite hot under the collar that I am not mentioning your To[…]
[…]not to a great extent, I think that they, they are political. I mean, you know, and we shouldn't be to do with politics. It's taking for granted that BAFTA does it, of course. What's it called? Can't remember the bashand something, Thatcher Association. It's silly. It's not what. We're here about ba[…]
[…] a variety of studios, including Gaumont British, MGM British, and for more cut-price producers such as George King. During the […]
[…] Editor was Forbidden Territory (1934). He cut several important films for Gaumont, including Saville’s Evergreen (1934) and Hitchcock’s The Man […]
[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]He got killed in the war. I think he was in thestudios when they were bombed.Alan Lawson: He was an American, wasn't heMonty Berman: Yes it he worked for Warners in America and they sent him over here torun the studios on the administration side.Alan Lawson the: It seems to have been quite a happy s[…]
[…]m with a View in I was operated and lit and more recently the how's the recent one won the Oscar for for light, not for lighting and won it for one a BAFTA award I bet one thethink what it was? Or blank for the moment? Trying to think too many too many directions at once. Well, nevermind, we'llleave[…]
[…]m and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). (2015).BECTU History Project Interview no: 249 Interviewee: Sheelagh Rees Interviewer: Norman Swallow No of tapes: 2Duration: 2:14:3[…]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
