[…]p;43:14 So anyway,Richard Marden 43:15 so that was only 49. Then about I suppose six years ago, seven or eight years ago. I went to BAFTA for lunch I was working in town, I often get a BAFTA for lunch and I went in there and there were not many people about and I saw an old gentlem[…]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]ent History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the British Entertainment History Project (formerly the ACTT History Project) and the right to publish some excerpts may not be allowed.CITATION: Women’s Work in British Film and Television,&nb[…]
[…]ally it makes a mockery of the whole Community Care Act.Anyway really that was in a way the end of my, my film career. I am still an active member of BAFTA and extremely interested in film making. I went on to have a whole other career in counselling and stress management and went on to work with an[…]
[…] and itÔÇÖs rather sad it doesn't now. I don't think BAFTA fulfils that particular thing. You mentioned, and we kind […]
[…]claimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]
[…]m everybody there and from the excellent editors and the whole, whole thing was a great experience for me. And of course, we won, as a team the BAFTA award. Norman Swallow: Which year? Sorry the usual question.Julia Cave: Well I can’t do years you see. It’s whatever year BBC2 1[…]
[…]ther crew: David Sharp Murray Weston: This is Friday 21st April, 2017 and this is interview number 699, with Taylor Downing and the recording is for the British Entertainment History Project. Hello Taylor. Taylor Downing: Welcome. MW: Thank you very much for having us here today. With[…]
[…]nd my parents were friendly with Edgar Wallace’s Art Director, the only lady art director at the time. She was very talented, when she wasn’t working for Edgar Wallace, mainly in the theatre,LH: Edgar Wallace, apart from being a writer, was presumably a film director-WR: Well for some time – I was s[…]
