Search Results for: BAFTA for Casualties (Cutting Edge series 1991)

[…] guess he had a certain charm but it was reserved for dames,as he was a great womaniser. We had a […]

[…] where he became Chief projectionist at Theatre Three, and later for many years was the Chief of Theatre Seven. SUMMARY: […]

[…] all-girls school in Edinburgh. She spent summers working in London for the GPO film unit, before giving up her work […]

[…] have? • Did you get any special schooling or training for later life? [interest in radio sparked] • Did you […]

[…] 7’.  By the 1980s he was predicting a digital future for TV camerawork, and since then has helped define the […]

[…]This transcript has been produced automatically using Speechmatics.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]

[…]d changing anything. I mean the worst commercial for that I ever did was for that fat, beastly QI presenter. He’s lost weight, he’s married, he’s the Bafta bloke or he was. What’s he called?PF: Stephen Fry?EH: Stephen Fry! I wasn’t that familiar with him but I did know he was big, and a painkiller c[…]

Danny Livingstone [Start of Recording] [00:58]I: Interview with Danny Livingstone. Interviewer - John Frame. What was your background before you got in to television, Danny? R: A little bit unusual. Went to school. Left school in fifth year with Physics, Maths, you know, a scientific […]

[…] nationality. You're British? Yeah. Okay. And have you won any awards in your your long career? Well, I was part of the team that won a special craft BAFTA for spring watch in 2011. I also won the team award. Well, we spring watch one the team award. And I will do is that I think it was two years ag[…]