[…] of the man you know, because to me, he was for the working class people, of which I am a […]
[…] became a camera operator from 1928 -1933 making quota quickies for Paramount. He worked as second unit lighting cameraman (cinematographer) […]
[…] lab, and in particular Bill’s own craft of grading ( For an invaluable historical overview of Britain’s film labs, go […]
[…] in 1938 and made two short films to rally support for the Spanish republic: Behind the enemy lines, and Spanish […]
[…] Barchester Chronicles (1982) Interview number 128 Jack Gold Jack was a BAFTA award-winning film and TV director of confrontational documentaries and touching dramas, […]
[…] the Light Brigade and Catch 22, both of which attracted BAFTA nominations for Best Cinematography. He shot The Devils and […]
[…] comprehensive guide to the Workflow needed when undertaking an interview for the History Project. I thought it would be good […]
[…] armed forces, which created a dearth of qualified projectionists. So, for the duration of Britain’s involvement in the Second World […]
[…] recording activity, we’d also from time to time mount a BAFTA event. Alexander Korda’s centenary was celebrated with a screening […]
[…]claimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]