Search Results for: BAFTA for Casualties (Cutting Edge series 1991)

[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]

[…]ly using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interview.However, the BE[…]

[…]s outside the theatre. However this woman very craftily suggested to the headmistress that it would be a good idea if she trained us to go onto a platform and stand at a lectern and learn how to control your breathing and so forth. The only training I ever had in the theatre I may say. And having st[…]

[…] it and refinement on it. And, and it won a BAFTA.[Laughter] It was, it was a SEFTA then, it wasn't […]

[…] and itÔÇÖs rather sad it doesn't now. I don't think BAFTA fulfils that particular thing. You mentioned, and we kind […]

[…] artist. And to keep alive I did sta ge sets for local left -wing theatre. I did win dow displays, […]

[…] him profusely. Also I only finally met David Lean at BAFTA about 6 months before he died. But that day […]

[…] the British Film Commission. Goodman has been closely involved with BAFTA throughout much of his career, and he held the […]