Search Results for: BAFTA for Casualties (Cutting Edge series 1991)

[…] on a freelance basis. During the 1930s he worked largely for Gaumont and Gainsborough on films such as The Constant […]

[…] in the department, were invited by Will to go to BAFTA, sit on the stage and answer questions about what […]

[…] white photography this last year, I think it was a BAFTA award. Manny Yospa: Do you mean Bob Krasker? Leonard […]

[…] After WWII he moved into feature film production, providing cinematography for directors Jack Lee and Pat Jackson, who also had […]

[…] Police came to my hotel and said the Germans asked for my extradition on, on, on criminal charges, you know. […]

[…] Editor was Forbidden Territory (1934). He cut several important films for Gaumont, including Saville’s Evergreen (1934) and Hitchcock’s The Man […]

[…] the British film industry in 1935 as a loading boy for Herbert Wilcox at British and Dominions. He soon moved […]

[…] memorial event for Hohn Mills after he’d died , at BAFTA and Dickie was chairman or vice -chairman of BAFTA […]

[…] WWII, and in 1954 Grade moved into television by bidding for one of the new ITV network franchises. The resulting […]

[…] include The Citadel (1938) and Goodbye Mr Chips (1939), both for MGM-British, and Busman’s Honeymoon (1940). She spent much of […]