[…]ms with Errol Flynn and Jimmy Cagney, that Michael Curtiz and Raoul Walsh who were the two big action directors for Warners. And he was...I think the best director I ever worked with. But he was very relaxed, he wasn't at all the sort of Hollywood megaphone type, he was fairly quiet. Roy Kellino was[…]
[…]laughing!And anyway, so she gave me this white overall and I went and I gave this lady matron a massage and after half-an-hour she said, "This is the best massage I've ever had in my life, you've got the job!" So I said, "Thank you very much," and I went back to Ellen and again, hysterical laughter […]
[…]SC: Welsh again! DM: He was… I think he was a genius, you see. SC: Pardon? DM: I think he was a genius. SC: Oh yes, he was at his best. DM: But he drank, you see. That was the great drawback for him and Angus. Both brilliant men and they both drank too much. 28 minutes […]
[…]dney Cole: Oh yes!Bernard Vorhaus: Because I mean I think it had a good effect in breaking away from conventional stories, but I still think that the best films and plays should tell...Sidney Cole: Tell a story.Bernard Vorhaus: I'm all for the Lillian Hellman kind of play where you combine both a so[…]
[…]amen too were all from, er... GPO weren't they?Pat Jackson: [Over interviewer] Oh absolutely! I mean [Izzy 56] with an [aero filter] and hope for the best! [not clear - ?] [Chuckles]John Legard: They hadn't had any experience...Pat Jackson: Oh, of course not! Of course not!John Legard: ...in studios[…]
[…] Producers, something like that? It was the same thing as BAFTA, it became BAFTA. [Question: Was it the British Film […]
[…] was a genius. SC: Oh yes, he was at his best. DM: But he drank, you see. That was the […]
