[…]our cameramen had a difficulty in competing, partly because of the costing operation, the conditions of service that prevailed at the time. So it was best in fact if we actually reduced that side of the operation and concentrated more on the PSC and the lightweight work, which is what we did, the mo[…]
[…]ms with Errol Flynn and Jimmy Cagney, that Michael Curtiz and Raoul Walsh who were the two big action directors for Warners. And he was...I think the best director I ever worked with. But he was very relaxed, he wasn't at all the sort of Hollywood megaphone type, he was fairly quiet. Roy Kellino was[…]
[…]laughing!And anyway, so she gave me this white overall and I went and I gave this lady matron a massage and after half-an-hour she said, "This is the best massage I've ever had in my life, you've got the job!" So I said, "Thank you very much," and I went back to Ellen and again, hysterical laughter […]
[…]SC: Welsh again! DM: He was… I think he was a genius, you see. SC: Pardon? DM: I think he was a genius. SC: Oh yes, he was at his best. DM: But he drank, you see. That was the great drawback for him and Angus. Both brilliant men and they both drank too much. 28 minutes […]
[…]dney Cole: Oh yes!Bernard Vorhaus: Because I mean I think it had a good effect in breaking away from conventional stories, but I still think that the best films and plays should tell...Sidney Cole: Tell a story.Bernard Vorhaus: I'm all for the Lillian Hellman kind of play where you combine both a so[…]
[…]amen too were all from, er... GPO weren't they?Pat Jackson: [Over interviewer] Oh absolutely! I mean [Izzy 56] with an [aero filter] and hope for the best! [not clear - ?] [Chuckles]John Legard: They hadn't had any experience...Pat Jackson: Oh, of course not! Of course not!John Legard: ...in studios[…]
[…] Producers, something like that? It was the same thing as BAFTA, it became BAFTA. [Question: Was it the British Film […]
