[…] as doing small amounts of stage and television work. Her BAFTA nominations (for Psyche 59 (1963), Help! and Casino Royale) […]
[…]aid magnox. You know, is that your darkness? To me? It's madness. That was the working title never changed. That I did every sort of effect. The best BAFTA I never got. He says modestly, because BAFTA had no category for television effects, film effects, not television effects, has now done then in […]
[…]d changing anything. I mean the worst commercial for that I ever did was for that fat, beastly QI presenter. He’s lost weight, he’s married, he’s the Bafta bloke or he was. What’s he called?PF: Stephen Fry?EH: Stephen Fry! I wasn’t that familiar with him but I did know he was big, and a painkiller c[…]
[…]f that sort of amount of people chasing a job in this amazing industry. But when I got into STV, I kind of quickly realised the people in it were the best and brightest that had been other places like the BBC and had come over to STV because they were actually better remunerated. There was more, in […]
[…] doing on his own now, because Harry Saltzman had sold his share to MGM UA, as it turned out to be and so you know, we carried on, we made one of the best bonds, smile on me, and the wonderful, wonderful shots of the submarine panel because we had to build a whole new Stage at Pinewood to accommodat[…]
[…]must have filmed in pretty well every continent in the world, including Antarctica. And apart from a lot of awards for your films, you also have four nominations for Hollywood Academy Awards, in the live action short subject category, which I think is unique to any writer director in this country. H[…]
[…]omething called Fragment of Fear, that was a modern one with Gayle Hunnicutt and David Hemmings. Then I did The Hireling, for which I got a BAFTAaward, that was twenties. The book isn’t twenties, I think the book’s forties, but I thinkthey were right to make that twenties, I think that wor[…]