[…]it you with the American Forces" and all that. So I had to go down to the Commissary and get an American uniform, which was absolutely fantastic, the best I ever had, I think! [Laughs] And er...they gave me a trip to go to the PX and er, then I had to go to the British Embassy, and I was all dressed[…]
[…]e said, "I think you ought to go into the Church." Like my cousin did - my cousin Patrick became a priest, you see. And he said, "I think it would be best if you followed your cousin Patrick into the Church business," you know. So I said, "Oh, OK Dad, I'll do that." So I joined the Catholic Church a[…]
[…]when I got up to Elstree, right? Well now I’m stuck, I have got sets that have been designed to be lavish in a location where you can’t really do the best with them and the whole contrast was thrown because here I’d got mediocrity… but that was my problem. One very interesting thing, that tells you […]
[…]he location catering.Gerald Chambers 24:27 I remember I remember one of the location locations, which was very beautiful. Absolutely. The best hotel I'd ever been to in New Zealand which was in Milford Sound. Unfortunately, it was later burned down. But two of us went in this light aircr[…]
[…]ure.Linda Wood : Hmm.Anthony Mendleson : And that is why, very often, and I say this many times, that the grand couturiers, shall we say, are not the best people to design for films. Because they're only thinking about beautiful clothes that'll look absolutely lovely on the actress, which isn't the […]
[…]e three that were successful. The other two were totally different. Onewas the film on design of stamps, called Picture to Post, which I got the BAFTA for, and again, Arthur was my cameraman – no, he wasn’t – sorry, it was Douglas Ransom. Andthat was, again, a glossy film but it was g[…]
