Ernest Marsh

[…]ffice and said, I want a job. And he said, Well, you know what? What experience you got what this, what that, what the other? And he decided that the best thing for me to do. He said, Yes, okay, you can have I'll give you a trial job. And he sent me to the ABC Enfield, where the chief projectionist,[…]

Ronald Grant

[…]and talking about the film to their friends. I think that's sad. And that puts me off going. Now, I think if you pay enough for you go if you get the BAFTA or somewhere, you can see the films and silence but or the NFT, probably, possibly, but there's too many, too many distractions and cinema as I […]

Simon Lund

[…]y, of all the reproduction means, making separations and then recombining those to a negative got you about as close to the original negative. Second best is a digital intermediate. Third best is going colour interpostive-colour internegative.PF: Brilliant. So, looking at long-term preservation of f[…]

Jim Peters

[…]inserts of Sanan Dure. I think it won awards in various places, you know. I: I mean, what do you think you'd won? R: I was given a Scottish Bafta, which was rather nice. Also there was a Royal Television Society Award which we got. That was in London and that was presented by that chap who[…]
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