[…] fussy it made me fussy and it did me the world of good really. Good good directors are always a tremendous help to any technician they bring out the best in you. The slap happy directors are. Just bad for a technician they. Should become sloppy. But David wouldn't everything have to be absolutely r[…]
[…]nded to pass the colour correction adjustment onto the gallery, the thinking being that they would be in charge of the camera setup and so they would best be able to try and match the look of the film bits to the studio content on [unintelligible] that. As film post-production grew we did […]
[…]nd to drag an awful lot. Yeah I know a lot of the big features. Yes. They didn't seem to add an awful lot. So often we'd come out of the screening at BAFTA and we just said Well that would have been a marvelous song if any it had been half an hour or 40 minutes shorter.SPEAKER: M8And you could see w[…]
[…] sets.SPEAKER: M34You know and you think well alive you know I've always quarrelled with these nominations. I won a few years ago I was on a jury for BAFTA Best Editing and one of the four films was Woody Allen film. Now how can you put that up. Because you know how he shoots it. There's a group of […]
[…]hen, at least...We’re still what, mid 30’s are we?Yes, I met my mother-in-law in Elstree studios because I knew her because she and Rebecca West were best friends, they were running the Committee Against War and Fascism in London. And they brought over, they collected money and brought it over to me[…]
[…] time winner, but it teaches one not to scripts or exotic things likeSarah Erulkar  36:09  I tend to do, but that was the film that won the BAFTA at the same time as I got that would have been the way BAFTAPeter de Normanville  36:13  Yeah. Let there be light still on that one. T[…]
[…]s to be doing, if you were lucky, 30 [%] but mostly in the 20s so it was quite sensational at the time. And then, low and behold, they went on to win BAFTAs and things like that which was fantastic! So, it was, I mean I find it hard to think that anybody lived through a more golden era of opportunit[…]
[…]ey Burton once who didn't require any changes. He got transmitted on BBC One peak viewing time just after the news. And it was it was nominated for a BAFTA. You know, and there was about 5000 credits on that film, maybe less, you know, it just shows what could be done, which doesn't happen now. And […]
