Bernard Gribble

[…]nd to drag an awful lot. Yeah I know a lot of the big features. Yes. They didn't seem to add an awful lot. So often we'd come out of the screening at BAFTA and we just said Well that would have been a marvelous song if any it had been half an hour or 40 minutes shorter.SPEAKER: M8And you could see w[…]

Gerry Weinbren

[…] sets.SPEAKER: M34You know and you think well alive you know I've always quarrelled with these nominations. I won a few years ago I was on a jury for BAFTA Best Editing and one of the four films was Woody Allen film. Now how can you put that up. Because you know how he shoots it. There's a group of […]

Wolfgang Suschitzky

[…]n it and a series of very good actors. That was one of the first films shot up north, had a very good story, and is still considered to be one of the best sort of thriller films made on locationSpeaker 1  26:23  and you didn't use any studio at all. No studio, no. And where was it supposed[…]

Tim Emblem - England

[…]nded to pass the colour correction adjustment onto the gallery, the thinking being that they would be in charge of the camera setup and so they would best be able to try and match the look of the film bits to the studio content on [unintelligible] that. As film post-production grew we did […]

Agnes Wilkie

[…]s to be doing, if you were lucky, 30 [%] but mostly in the 20s so it was quite sensational at the time. And then, low and behold, they went on to win BAFTAs and things like that which was fantastic! So, it was, I mean I find it hard to think that anybody lived through a more golden era of opportunit[…]

Norman Warren

[…]N: They had an Acmiola. I mean, later I fell in love with Moviolas but it was an Acmiola which was with the round [lens?]. Thinking back itwasn’t the best of pictures but it did the job. I do remember the coming of the firsttape joins which were individual ones, you had to peel it off and put in on.[…]

Simon Rose

[…]ey Burton once who didn't require any changes. He got transmitted on BBC One peak viewing time just after the news. And it was it was nominated for a BAFTA. You know, and there was about 5000 credits on that film, maybe less, you know, it just shows what could be done, which doesn't happen now. And […]

John Ammonds

[…]last four a Morecambe & Wise won it was Ernest Maxim who took over from me.    SPEAKER: M21    He won the BAFTA. That was a Bafta award and in fact Yarwood didn't. In fact winit but it was still a very good show. Ernie had done a very good show actually wi[…]
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