John Allen

[…]u had to reprimand a person could you do it. And. And how are you particularly what you do and all sorts of questions of that sort. I answered to the best of my ability. They said okay that's fine. I said thank you very much and left. And eventually I heard that I'd been selected to move to the film[…]

Karel Reisz

[…]bsp;a little to “Saturday Night And Sunday Morning”? This is the first time really you had handled actors and actresses.Karel Reisz:39.13Yes it was, yes it was. One marvels at one's impertinence. But there […]

Muriel Box (Gardiner) (née Baker)

[…]o anything different?Muriel Box : No, I wouldn't do anything different. I can't think of anything anyway. All that you're doing in film is always the best you can do at the time and I think anybody who refuses any other ideas from any part of the group who's working on the film should always be list[…]

Cynthia Moody

[…]nbsp;                 Well, I found that you were working to the best feature standards, because you were using top technicians, top equipment, top art directors, top cameramen, top operators, because the demands fo[…]

Sam Williams

[…]nite reducer was much better one. There were various other methods, there was a salt one as well. umpteen of them, but I thought I think that was the bestBert Craik  11:45  thing I found a calling in those days when when when I came into the black and white Labs was with Kays you know with[…]

Adam Dawson

[…]owler  47:43  Max Green.   I was talking to Roy Boulting over the weekend and he said that Mutz was one of the two best cameramen he's ever worked with. Adam Dawson  47:55  Mutz. Yeah, yeah. He is very good. Yes. Roy Fowler  […]
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