[…] can be seen by people still. So Bill’s career then really did move on; he did a wonderful film about poaching called Bloody Ivory (1978) which got a BAFTA nomination.[99] He edited two stories together; he did the work of David Sheldrick against the poachers, because there was such a huge poaching […]
[…]y can tackle features eventually they could do naturally.Speaker 1 25:11 There's another area that we've touched on. You've mentioned the nominations that you had. I gather you had 14 nominations. Were they for the American Academy or the British, BritishSpeaker 2 25:23 and E[…]
[…]ular promoting an upcoming show. The communication was to enquire if I might be interested in becoming a Regional Panellist for the UK Theatre Awards nomination process. This voluntary commitment would allow me to request two tickets to attend shows primarily in participating theatres in the North E[…]
[…] one of Lean’s cameramen, camera operator, and he was at Bafta that night too? CB: Oh was he? I: Yeah, […]
[…]h, I must have done, yes, but I probably didn’t know his surname.I: No, well he went on to be one of Lean’s cameramen, camera operator, and he was at Bafta that night too?CB: Oh was he?I: Yeah, but, Peter says it was a very happy little studio, was it? YesCB: Oh, it was lovely, Oh, it was lovely. It[…]
[…] and itÔÇÖs rather sad it doesn't now. I don't think BAFTA fulfils that particular thing. You mentioned, and we kind […]
[…]d then my father had a 16mm camera that, he used to take photographs of us as kids.
Mhm.
Which I still have. And...
Will they surface at the BAFTA [inaudible]? [laughs]
I don’t think so. I... I don’t know where they are now. My, my problem from the BAFTA point of view actually is the fac[…]
[…]ed that the Royal Television Society became the leading television society in the country, I mean, it was far more important in television terms than BAFTA, which after all, also embraced film. I’m not decrying BAFTA. I think BAFTA do a fine job. But after all it’s film and televis[…]
