[…]roduction values were very high and it was a very professional organisation but there was always that wee chip on our shoulder because we weren't the BBC, you know, which was ridiculous actually, looking back on it and that whole, House on the Hill, was the first one, I would have said, Robert, of t[…]
[…]t I thought I probably thought I got six months work. It was it was two weeks only was shot at Highbury studios. Recently I got a copy of it from the BBC. It's on video. It is the most dreadful little film. I mean, it's really poor, but Bernard Miles was in it. And an actress called lusail Lyle spel[…]
[…] seven or eight sets which you redressed and redressed. PM: Until they wore out. That’s right. That was all at National Studios.DB: Which is now BBC.PM: Yeah. And we had one big stage as you say with the sets around, and then one end of it was green, with mountains.DB: For exteriors.PM: William[…]
[…]eing let out. So you had the patter of little feet easy. So which was, and filming, we're creating this pattern of feet. And we had two guys from the BBC doing the footstep for Foley. And they were the best in the business. One of them was Larry Lucas and and and they were quite a long way from the […]
[…]p; Father had own set-construction business, contractor for BBC03.31 - &n[…]
[…]r for 30 days work. Did Junior Points of View (piece about gobstoppers) and worked onErnest Maxim’s Sunday Spectaculars as a Peter Gordeno dancer, on BBC2. He was getting £100 a week advertising OMO and £110 every 2 weeks for the BBC. Got 3 days work (£150) for “Where the Spies Are”, Val Guest, 1965[…]
[…]bsp; Went to Gertrude Hartley school00:05:28 Started work as trainee at BBC00:07:20 Talks about apprenticeships00:09:25 &[…]
