[…]ck dissolve now’. Quick dissolve six feet and Gerald Cock, who became the first director of television when the service was put into the hands of the BBC by the government at that time, came to Cricklewood to do some recording for some OBs that he was going to make. In those days you see the corpora[…]
[…] Another one. I’ve actually got a picture of myself somewhere in there [Laughter]MIKE DICK: It says you’re an extra in the crowd in BBC Bunker, is that…PETE MURRAY: BBC?MIKE DICK: BBC Bunker. That’s, That’s how its termed… PETE MURRAY: I’ve never heard […]
[…] at the Central School of Art she worked at the BBC as a design assistant on a number of children’s […]
[…]ike that. And then I saw that I had in my mind that I'd like to be a cameraman. And so I wrote it while I was at school in sixth form, I wrote to the BBC and said, Are there any vacancies as an assistant cameraman? And they said, Are you too young, you got to be 2021 because you'll be living out of […]
[…] actress and, and did a lot of broadcasting on The BBC in, in Aberdeen. So I played Portia in The […]
[…]ht, let's see if I can't get some more money, see if we can cover a bit more anyway. went looking for a job for more money and got interviewed by the BBC and was offered a job a secretarial job for less money. At which point my mum said, Look, Louise, you've always wanted to work in broadcasting, I'[…]
[…]ays did Shakespeare in the garden every summer because we had an English teacher who herself was an actress and, and did a lot of broadcasting on The BBC in, in Aberdeen. So I played Portia in The Merchant Of Venice when before I left school.And did that continue at university?Yes, it did, yes.Moira[…]
[…]f art school at Farnham, and I should say that painting is also a thing in my family. I wasn't painting but I was being painted. And I applied to the BBC and it shot through very quickly. It was how lucky I suddenly got this invitation from one called Gertrude Leonard and met John O Bride? not at th[…]
[…]folio, which I did and he got in touch with Roy Oxley2 who had been a fellow art director, now at this time, which by now was 1951 he was at the BBC. Now the head of design there at that time was Peter Bax3 and they, now what happened, oh I think it was the usual thing, they said apply, an[…]
