Search Results for: BBC Film Unit

[…]t that far! Roy Fowler: What happened? Do you know the details? Andy Worker: Well Sydney moved to Pinewood, Shepherd's Bush was sold to the BBC. Um, I was sent to Islington to close it down, and after about a year of that, Ken Maybank [?] said, "You should go on freelance production," whic[…]

[…] Now on that Reggie had a heart attack and I had to finish it. But the producer I think I think rude, rude, rude of cardio had to go back to the BBC. And theproducer was a Norwegian. Oh.Alan Lawson  17:50  The film was againNoreen Ackland  17:51  passionate summer freshmen. […]

[…]e?Yes, that’s right, mm.And it had a marble bathroom.[Laughter]Mind you we were in bunk beds, which was a bit of a letdown because my letter from the BBC said it would be dormitory type accommodation sharing, they didn’t say you would be in a bunk bed, you know.[05:06][Laughter]But anyway I’d been i[…]

[…]ack did and I think Peter ... and John Shirley, I've got a great respect for John Shirley, he cut Reach for the Sky. You must look tonight, your BBC have got British heroes and they're all ...Tape 2, Side 3Bill Girdlestone: ... he learned so quick. See Alan Hume learned quick but nobody le[…]

[…] a bit of a letdown because my letter from the BBC said it would be dormitory type accommodation sharing, they […]

[…] Reach for the Sky . You must look tonight, your BBC have got British heroes and they're all ... Tape […]

[…], my father had a job. He worked in London with a Cable and Wireless company making telephone cable, basically. But I we had no, no hook up with with BBC, we listen to it. Listen to it on radio every, every day, basically. And when I was three and a half, the war started and and that part of London,[…]

[…]well since and that was a long time ago. She eventually took a job as a buyer, property buyer. Although she is freelance, she is principally with the BBC.R. F. Ah, well that is a very satisfying thing anyway.C. D. She goes under the name of Dorothy Elliott. That was her married name. Apart from that[…]

[…]d : '67 then...Jim Connock : But when did you actually go to the Coal Board?Kitty Wood : Well I went for my first stint in 1958. I was working at the BBC and I'd been working on commercials before that. And this is where Donald Carter was a relevant influence - you see, most documentary people worke[…]