[…]ps with film historians and so on. The Film Department was also, and again, this pre-dates Anne and Clive a bit, but I guess it goes back to the BBC2 Great War series in the mid-sixties, that the Film Department was developing a reputation as a major source for archive film footage for history […]
[…]Film Unit, they didn’t expect me to be a member of the Union. But when I did together with a friend, Guy Brenton, who was working at that time at the BBC and I'd known at Oxford, he wanted to make a film about deaf children and he came to me with the idea and said would I help him because I had had […]
[…] Guy Brenton, who was working at that time at the BBC and I'd known at Oxford, he wanted to make […]
[…]today. This is the voice of Paul Frith on the 8th June 2018. So, if we can start by talking a little bit about where your interest in film and photography developed and some of your background in cinematography.PS: Yes, well I was brought up with … from the beginning with photography[…]
[…]t with documentary. And I was running this refugee film which I called Return to Life to the man who was producing the series, Victor Poole[?] of the BBC, and when it was over I was crying. I've never, ever cried at my own films, but I was - I had to get out of the theatre. This was at the Centre, T[…]
[…]uipment we had was those same type of equipment that was being used by the BBC in those days. Emi those big green EMI recorders will take up. And the […]
[…]and chippies and classrooms benefit as well. However, for me, it was absolutely marvellous because it was the greatest training ground apart from the BBC, I suppose the crown Film Unit, andUnknown Speaker 9:11 I'm working toRobert Angel 9:16 I was working with an editor calle[…]
[…]sspenny (?) Road Hendon and then I had a whole room - for the - to keep the equipment in. And that was when I would have first been in touch with the BBC would have been would, have been from the spare bedroom at 4 Cresspenny Road (?) That’s where you would have phoned me or I would have phoned you.[…]
[…]d I said, Oh, all right. I'll see it. It very kind. And john showed it to him. And Jimmy, of course, had lots of contact. And Jimmy got john into the BBC, for monitorAlan Legard 42:16 is right, that's how that's that's how you use the link. And that's how that Yeah, that's right.Well don[…]
