[…]plished , so I'm told, classical pianist and a friend of our family, a man called Harry S. Pepper, who at that time, was a producer at the BBC, and he was the producer of the minstrel show, The Black and White Minstrel Show. And he decided to take this show out on tour. And when he heard […]
[…]orwich union through the Merton Park Studios pension fund. Then I was out of work for a short while after the studio closed, and I had friends in the BBC projection department, and I told them what I was out of work. And they said, Would I like to join their projection team? And at that particular t[…]
[…], a very entertaining man, a very well read. Very, very brave and thorough when I'm in you know, he tell me the stories before my time of the case of BBC against her and and the South African dispute and the cup final and to take that sort of stand for what he said was a small union was incredibly b[…]
[…]sspenny (?) Road Hendon and then I had a whole room - for the - to keep the equipment in. And that was when I would have first been in touch with the BBC would have been would, have been from the spare bedroom at 4 Cresspenny Road (?) That’s where you would have phoned me or I would have phoned you.[…]
[…] was published in 1958, Michael was a Cameraman at the BBC studios in Lime Grove. He had been working for […]
[…]e union importantly, which were about the future of the film industry, which were about the future of television, should we have a second, should the BBC have a second channel, should they have a second channel. What should we do with Channel Four, should we have Channel Four and, you know, politica[…]
