[…]e a wee bit cynical. I don't like being cynical. I: But that's what STV is. It is a business, isn't it? It's not a cultural broadcaster like the light">BBC. R: Oh they had public service broadcasts or they did have, more so in my day, they did have a remit to do that. But, yeah, I don't think to […]
[…], a very entertaining man, a very well read. Very, very brave and thorough when I'm in you know, he tell me the stories before my time of the case of light">BBC against her and and the South African dispute and the cup final and to take that sort of stand for what he said was a small union was incredibly b[…]
[…]randson of Henry Irving, he was the chief Art Director and very - I learnt a lot from him. The sound department I don't remember, he was a man in the light">BBC called Rex Howarth, I think he died, I don't know what happened to him.Roy Fowler: What was the sound system that they installed?Vernon Sewel[…]
[…]h, [with Siler??] I played in a play at Wyndhams. And I got married. SC: When did you get married? DM: 1934. And that year Bobby joined the light">BBC. And Noel Marshall sent for us and said ‘I’m doing a revue, will you work on it?’ And we’d never done anything like that before. So we said ‘Certa[…]
[…] was published in 1958, Michael was a Cameraman at the light">BBC studios in Lime Grove. He had been working for […]
[…]ps with film historians and so on. The Film Department was also, and again, this pre-dates Anne and Clive a bit, but I guess it goes back to the light">BBC2 Great War series in the mid-sixties, that the Film Department was developing a reputation as a major source for archive film footage for history […]
[…]took a sample, you know a film. I said, "Can I make some animated cartoons for you?" You know, "Oh" he says, "No, out of the question." He says, "The light">BBC could never afford cinema-quality cartoons." He says, "I'll tell you what, why don't you get some puppets, you know, stick your hand up a jumper a[…]
